Caroline Ducrest performs baroque, contemporary and aerial dance.
 

In the contemporary register, she has been working since 2016 with Aurélien Richard-Cie Liminal for the role revival of Revue Macabre and Numéros Macabres and for the creation of Paradis et Tempo. She also dances with Christina Towle-Kivuko Cie for the young audience creation Entre Chien et Loup, in theatres and gardens.
 

Since 2003 her discovery of Baroque dance led her to take part in projects with Françoise Denieau (L'Egisto, Rinaldo), Marie-Geneviève Massé (Voyage en Europe, Sérénades Royales), Ana Yepes (Donaires, Fiesta Criolla), Christine Bayle (La Ronde des Jardins, Sigalion, La Merlaison), Gudrun Skamletz (Cadmus et Hermione, Pygmalion, Acis et Galatée), Flora Sans (L'Amusette dansée), Cécile Roussat and Julien Lubek (Le Bourgeois Gentilhomme, Rameau et la Danse), Guillaume Jablonka (Hip Hop'ment Baroque, Le Petit Chaperon Rouge), Edith Lalonger (Pigmalion).
 

Her interest in physicality has led her to incorporate fencing and martial arts into her work. She also has a passion for the way of the bow - Kyudo.

She opens herself up to aerial techniques, in particular straps, which she integrates into De Humanis Humoribus (directed by Jean-Denis Monory), Pygmalion (directed by Judith Le Blanc) and street shows for Autre direction with Anne-Claire Gonnard-Cie Alto.

She also works sometimes with a harness on certain productions, as in Cadmus and Hermione with Le Poème Harmonique or in a duet with a Beech tree.
 

She has danced at the Théâtre des Champs Elysées, the Opéra National de Paris, the Royal Albert Hall-BBC Proms 2007, and at numerous festivals in France and abroad alongside directors and musical directors such as Benjamin Lazar, Robert Carsen, Vincent Dumestre, Sir John Eliot Gardiner, Gabriel Garrido and Jérôme Corréas.